Laura Pestronk is an actor and director born and raised in New York City. She has lived all over Manhattan and grew up on the Upper East Side. She has since enjoyed living in both Astoria and Long Island City, and now happily resides in beautiful Sunnyside, Queens.
Laura’s directing credits include Feedback by Jane Miller (Squeaky Bicycle Productions), Booze In the Boroughsby Penny Jackson (FACT), 200 Mystical Fictions by Debra Siegel (NY Fringe), Opening Night by Zach Rothman-Hicks (Where Eagles Dare), Jump! by Josh Sohn (Strawberry Festival- Best Play), Unblessed by Kari Bentley Quinn (Packawallop). Assistant directing credits include Marea(Packawallop- dir. Scott Ebersold) and Cardboard Box (Looking Glass- dir. Toby Bercovici).
Acting credits include The Tupperware Convention by Anna Governali , The Women’s Project by Mariana Newhard, Retrospective by Chris Van Strander, Notes BetweenUs by Samantha Lee Manas, Kicked by Eljon Wardally. Laura’s one woman show, Interesting Topics In Significant Similitude Starring Cindy Cinnamon performed at Downtown Art and NYU.
For the past 3 years, Laura has directed Broadway charity concerts raising money for the Humane Society and the Canned Food Drive. Both the annual Broadway Meows and Broadway Can concerts are written and composed by Seth Bisen-Hersh and perform at Don’t Tell Mama.
Laura received her BFA in Drama and Psychology from NYU Tisch School of the Arts. She studied at Playwrights Horizons Theater School, concentrating in directing and acting. Laura is coordinator and member of the Pack- a collaborative group of writers, directors and actors. She is a founding member of Mission to ditMARS, a theater and arts collective based in Queens.
Kari Bentley-Quinn is a playwright based in New York City, originally from the little coast town of Stratford, CT. Her plays have been presented at or developed with Lark Play Development Center, The Brick Theater, The Secret Theatre, Artemisia Theater, The One Minute Play Festival, Lesser America, Caps Lock Theater, Effable Arts, Packawallop Productions, The Access Theater, FringeNYC, the Play Development Collective, and more.
Kari’s full length plays include The Permanent Night (2008 FringeNYC award winner), Paper Cranes (Packawallop Productions),The Unlikely Ascent of Sybil Stevens (The Secret Theatre New Voices Project), The Ocean Thought Nothing (2014 O’Neill Conference Finalist), Prepared(PlayPenn semi finalist) and The Worst Mother in the World.
Kari has been a finalist for the O’Neill Playwrights Conference, the Bay Area Playwrights Festival, The Playwrights Realm, and the Public Theater Emerging Writers Group, as well as being a nominee for the Doric Wilson Playwriting Award. Kari has an MFA in Playwriting from Hunter College, where she studied with Tina Howe, Arthur Kopit, and Mark Bly. At Hunter, she was the 2015 recipient of the Rita and Burton Goldberg Playwriting Award. She is a member of the Dramatists Guild.
Don Nguyen was born in Saigon, Vietnam, grew up in Lincoln, Nebraska, and currently resides in Astoria, Queens. Don studied theatre at the University of Nebraska-Lincoln, and he served as the Artistic Director of the Shelterbelt Theatre in Omaha from 1999-2003.
Full length plays include: RED FLAMBOYANT (World Premiere – Firebone Theatre Company 2015, 2015 GAP Prize Winner, Ojai Playwrights Conference, finalist – O’Neill NPC), SOUND (Azeotrope/ACT, BAPF, Playwrights Realm Fellowship, finalist – Princess Grace Award), THE COMMENCEMENT OF WILLIAM TAN (Yale Cabaret, NYSAF), THE MAN FROM SAIGON (NYSAF, Naked Angels), THE SUPREME LEADER and HELLO, FROM THE CHILDREN OF PLANET EARTH. Don’s work has been developed or produced at The Public Theater, The Flea, Ojai Playwrights Conference, New York Stage & Film, Naked Angels, Naked Radio, The Civilians, Ma-Yi Theatre, The Playwrights Realm, The Bay Area Playwrights Festival, Joe’s Pub, The 52nd Street Project, SPACE on Ryder Farm, and Tofte Lake. Don is the recipient of the 2015 GAP Prize from the Aurora Theatre and New York Stage & Film Founder’s award and has been a finalist for The O’Neill National Playwrights Conference, The Princess Grace Award, Woodward International Playwriting Prize, and New Dramatists. Nominations include: the Laurents/Hatcher award and the L. Arnold Weissberger Award. Don is a proud member of the Ma-Yi Writers Lab, the Public Theater’s inaugural Emerging Writers Group, The Civilians inaugural R&D Group, the 52nd Street Project, and a co-founder of Mission to (dit)Mars, a Queens based theatre arts collective. For more information, please visit: thenuge.com
His one-act play The Harlequin Maneuvre was a finalist in the Riant Theatre’s Strawberry One-Act Festival (2004) and was published in The Best of The Strawberry One-Act Festival, Volume 1. It has subsequently been produced in New York, Nebraska, and Canada.
Other one act plays include Fat Ugly Vampire (Nuyorican Poets Cafe, NY), The Imaginary Association of Flight Attendants (Nuyorican Poets Cafe, NY),Love 160 (The Pack Lounge Series 3, Robert Moss Theater, NY),The Dragon Lord and the Fairy Queen (commissioned by The Lincoln Community Playhouse), A Decision of Extraordinary Magnitude, and a collection of eight Halloween plays: Bloodsucker, The Woman in the Blue Dress, Iron Chef: Battle of the Global Cuisine, Cooking with Julia, Soulmates, Torture, Survivor Down Under, and The Deadly Seduction, which were all produced by The Shelterbelt Theatre.
Other short plays and monologues include The Rocket Boys (52nd Street Project), Sexual Chocolate (The Secret Theatre, Long Island City), Girl Reflected and Look, A Lion (Emerging Writers Retreat, Public Theater).
Other writing credits include The Living Newspaper Workshop where he wrote several one acts and a webisode. In July 2011, The Living Newspaper was invited by Liz Engelman and the Jerome Foundation to spend a weeklong residency at Tofte Lake Center in Minnesota to develop a play about overpopulation.